Jim Tetlow
Born 1974, UK
I like ambiguity in art. Uncertainty. What has to conform to the limits of our reality? Metal, glass and flesh can merge seamlessly, as if the surreal worlds and the life forms within are one and the same, and yet at odds sometimes. I rarely seek to endow my works with any "message". I am more interested in people's personal responses.
I'm a multimedia artist working in fine art (including sculpture), digital art, graphic design and various forms inbetween, also illustrating book covers and numerous CD covers. I also work in musical soundscaping, both solo and in group projects, of which there are many releases. I'd like to say a big thanks to everyone here who has supported me in my work and beyond since I began posting in June 2001. Too many to mention, you all know who you are... I'm meeting very special people here :-)
Update 01-08-05: I've been given a 4 page feature article in Issue 3 of the new media magazine Contour based in Atlanta, Georgia. The images printed very well and they did me proud.
Update 21-03-06: I've been spending the last 6 months living in New South Wales, Australia. Inspiring place! Also in the process of illustrating the book covers for a series of Japanese books called Hikishio no Toki (Time of the Ebb Tide) by Mayumura Taku - to date I've completed the first two of the five volumes. I've recently been returning to traditional media as well as producing the usual digital art, and contributed a sculptural canvas to a recent local exhibition. Link: Saatchi Gallery webspace
Update 09-01-21: I hadn't even logged in for some years. It's weird nipping back here after not even posting for 13 years, like revisiting your old school incognito. As I'm not active here anymore I wonder if anyone will even see this again besides me.
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Comments (4)
erlandpil
Nice one
Naichan
The interesting thing about this photo is that it's impossible to know the scale without being told. It could be huge or microscopic. As you said, the detail never ends. On this subject, got a DVD called Microscapes: Shapes of the Invisible. Japanese release of a French experimental documentary. Quite Synaptic in parts!
crrunchyfrog
What spins me out about this photo is that it appears to me to be a negative of the original, like its carved and scooped out instead of raised to the surface. You know how much I like this one, so I won't ramble on too much, but say that I really like the direction you've been taking this technique and I'm looking forward to seeing what comes next! Thank you as always for creating and sharing biggest hugs. :)
Synapse
biggest hugs back I guess the illusion comes from the fact that we tend to be used to seeing things lit from above (notably the light from the sun in the sky) and so our brains will process the illumination of form in this way. Thus, when the light comes from below (as is the case here) the brain will still "assume" the light to be from above and so it will compensate by inverting the perception of depth :-)