Mon, Jan 6, 6:21 PM CST

5/4

Writers Surrealism posted on Oct 21, 2008
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Description


Vast grids will pave over our cities and slice through all the buildings that aren�t perfectly aligned. The people living in them will have no place to go, so they will be absorbed by people living in the surviving buildings, fractions simplified into the whole, the weak providing nourishment for the strong. Everything is symmetry. **** NOTES **** I get to use the "only have MS Paint on my laptop" excuse for the crappy graphic again, wheeee. Nothing specific inspired this, mostly just cultural paranoia and my preoccupation with creepy rants and maybe a bit of 1984. I've also been doing a lot of math lately, specifically fractions, to try and make up for my dismal education. Like the last one, my confidence in this... thing I did is kind of shaky. Please be honest with your criticism because I need to know if I suck, but don't be a dick. Thanks for your wonderful comments on "the hypnotist", and thanks for being specific. EDIT: Well I'm back on the computer that has Photoshop Elements now and I made a much better graphic from a photo I took in Portsmouth. Cheers. EDIT: Removed a word I'm not using anymore because it's insulting to people with disabilities. Sorry I didn't think of that before.

Comments (7)


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auntietk

9:06AM | Tue, 21 October 2008

I totally got it, even without your explanation. My mind got busy immediately with sci-fi images, nighttime visions of cities under seige, control freaks in power ... Chip is gonna LOVE this! :) I love your title ... it reminds me of something I once read: "Two plus two equals five ... for extremely high values of two!"

netsia

10:49AM | Tue, 21 October 2008

The graphic has a Rod Serling 'Twilight Zone' look to it. I also love the words.

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beachzz

11:39AM | Tue, 21 October 2008

LOL at Tara, Chip will love this one (Chipka here if you want to see what he's all about!!). But, yeah, I get this and I like it--a lot!!

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abcblair

10:00AM | Fri, 24 October 2008

The graphic is wonderful! The writing is very nice. Not sure I 'get' it, but that's not important. I enjoyed it. The creepy part, though, is around here we have a bank called 5/3 Bank and you see signs all over the place like your graphic.

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dbrv6

8:17PM | Fri, 24 October 2008

I think your writing here is very well done. I keep all sorts of math reference books on my desk and reference them for different needs. Self education is a wonderful thing - it keeps the mind sharp. I see it in the use it or lose it category. As for 5/4 well, there may one day come a point as urban sprawl continues out of control and although it comes in spurts we are still seeing the tearing down and the building of even higher buildings to provide more living space in a smaller area. There are some architecture books done during the 1960's I saw a few years that projected what the 'living complexes' of the future may look like. Talk about all in one living, working, shopping, entertainment.

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anahata.c

11:35PM | Sun, 26 October 2008

this is one of your most concise pieces, in that you pack a lot into a few lines; and, to me, you create a strong & natural vision in those few lines. The piece is complete to my eye. The fraction conceit works very well as a vision of more than the whole packed into the whole, with the strong absorbing the weak. You create a rather frightening cannibalistic sense with the word "nourishment," stated quickly and moving on (boom), letting the reference sink. The director Scorsese spoke of the power of unexpressed violence, how it can be as potent as displayed violence; and he'll do scenes where just as something is about to erupt, he'll cut; or (more commonly) you'll see very violent characters interact without a gesture made; you have to stomach what's not shown...The lines about absorbing & nourishment have that impact: all left to our imagination, after which the 'symmetry' line is about as cold and real as it gets. You're showing comfort with the small form, so even if you happen to go through a lot to create it, you're showing ease with it. And your lineation seems fully appropriate to your vision. I like the photo btw, but the piece suggests larger carnivorous structures...still the photo isn't what we come for so it's fine with me. A nice small evocation of a very big coming darkness...

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Chipka

2:40PM | Mon, 27 October 2008

WOW. This is fantastic. So short and succinct and yet I read shades of Kafka and Orwell in this, though the voice, the imagery, and the mood is all your own. If Kafka were around, he'd really dig this, though a few of his other obsessions were more parental in nature. Oh well. On another note, there is so much subtext in this: there's cultural warfare, class warfare, urban angst that rises above the "typical" and quite a lot of compassionate humanity. Your reference to those displaced and absorbed into surviving buildings is brilliant, but you go one step farther and deliver a killer ending that leaves a LOT to ponder. This is fantastic work, exceptionally moving. This is something you read, then just sit and ponder for a long, long time.


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