Tue, Oct 1, 10:19 AM CDT

Canals of New Mars: Adieu, No Au Revoir

Poser Science Fiction posted on May 02, 2009
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Description


Looking at the mournful look of the others' faces, J.S.'s enthusiasm dampened considerably. "I must report on what I've discovered. Maybe it won't stop the war, but it'll give us a definite advantage on the Rogues." Silence. J.S. added: "It'll be useful also to all of you. New Mars is a first impact sector. I must go back to the Earth. I've no choice". "So you go home," Adam remarked. "Home." J.S. thought that the only home he knew was a bed in the barracks at the Headquarters of the Regiment or at the ETHIC guest dorm. "Aren't you OK, here?" J.S. looked at Eve , who in turn was staring at the floor. " "Yes, this is the place that is more similar to a home I have ever kwnown. But I must report to my superiors. It's my duty. I'm a man and a soldier, I can't break my oath!" It was the longest speech J.S. had ever done on the subject. "But they tried to kill you!" Jetsam argued reasonably. "It's complicated", J.S. shook his head. "I must go back. I owe it to myself. My honor is what I have left," and repeated, either to sweep more arguments off or, perhaps, to quench his own doubts, "I swore. I must go." Then looked at the two urchins straight in the face: "I promise that I'll do all my best to come back here. I won't leave you here." Then he stood up, and began packing. Eve, who hadn't said a word after her first surprised remark, disappeared somewhere. While Adam was helping to carry his things to the astrocargo, J.S. thought this was his best chance to hand over the baton: "I'll leave here the He-bot. If the Rogues reach me before GOD, well, it's a waste if it is destroyed. It'll be more useful here with you. In his memory I left some files which will give you the ownership of the little I own on the Earth, if I die. It isn't a lot, but it'll be yours." Adam nodded and they shook their hands. While J.S. was going to the cockpit Adam asked: "Don't you say good-bye to Eve?". "Yes, of course." This is the hardest time of all, J.S. thought. While he realized he was very sorry to leave her, he feared she might be tearful. Weeping women had always meant bad luck for him. But Eve quelled his forebodings, arriving at the launch platform sporting the iciest manners. "Adieu, then, farewell!" she said dry-eyed, her voice a remarkable imitation of a refrigerator. "No, it's only an au revoir." J.S. smiled coaxingly. He took her hand and placed a feather-light kiss on her palm and closed her hand in a fist. "Au revoir, I promise." She was going to say something, changed her mind and murmured: "Au revoir, I'll wait for you." He turned, hurried to the astrocargo, and left. Thank you to all people who appreciated the previous picture! Thank you for viewing and drop a note if you like! DAZ: Michael 4; Neftis: Daryl Hair; Anton Kisiel: Apollo Maximus; Capsces: Cole; Traveler: Shades of Maquah; DNA_Affectation: Loin Cloth; Stonemason: DarkStar.

Production Credits


Comments (32)


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mariogiannecchini

10:34AM | Sun, 06 December 2009

Storia molto coinvolgente e bella immagine con bei colori e bella luce !

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anahata.c

12:42AM | Sun, 18 August 2013

Well I'm now up to MAY of 2009, which I believe is when civilization just discovered Iron! So I'm getting there. And here JS is leaving. You have the repressed love at JS's and Eve's departure down perfectly; Eve is stiff and reserved as can be. And JS doesn't want to break any protocols. (Voice like a refrigerator---that's a hell of an image.) Very well done. And you have what we expect to hear, that JS gives instructions on what to do should he die---done with panache. A packed episode in just a few paragraphs, all very well done. And the "au revoir" has the air of an iconic movie-scene departure. All done with subtlety and a touch of humor. Very fine handling of this scene! Your image has that strange light of departure, one of several strange hues that accompany departure spaces, especially in or near vehicles about to take off. (Ie, that neon green.) Your lines all point to the back, and that red on the roof, as well as along the side, is good contrast to the heavy greens and grays. Simple and expressive, with luminous highlights on JS's sleeves---more good work with low light. The image suits the departure well. (you know, I know you wrote all this, but I still wonder, do you remember all the details from 4 years ago??? I mean, as you read a comment on this episode, do you have to jog your memory? If you do, my apologies! I just know that if I start with last month's episodes, I'll have lost everything in between...)

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