Hi, I'm Marilyn. Â I've been posting here on RR for a few years now and thought it was time to update my profile. Â It's been wonderful learning so much from the amazingly talented people here. Â I've had the chance to meet many in person and some have become great and good friends. Â Starting with a Kodak Brownie camera when I was about 7 or 8, moving up to Instamatics, Polaroids, then the Pentax K1000 that really got me on the way, I've been looking at the world thru a lens for a long time. Â Got the bug honestly; my dad was a photographer and gave me the gene!! Â Digital changed the world and I jumped in with both feet. Â You would've gone thru 100's of rolls of film in one day the way we can shoot and delete all day long. Â Progess...it can be awesome sometimes.
At any rate, RR rocks, the talent is over the top and I'm just gonna keep on shooting!!
Thanks for looking and keep those cameras rollin'!!
peace.....marilyn
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Comments (11)
blinkings
Great shot.....and talk about great minds thinking alike! Did you see my last two posts!!!
bazza
Lovely shot Marilyn and you do love to get under things, Bridges, piers etc lol now where is the troll I want to see a troll :^)
durleybeachbum
Such a powerful composition!
watapki66
Very nicely done!
jocko500
cool shot . got to watch out there
goodoleboy
Agreed. That is one big sturdy hunk of concrete, Marilyn. And I believe I detect some love-struck bit of graffiti down at the lower base.
blondeblurr
This section of the bridge makes a very strong statement and probably gonna be there for another 100 years to come, judging by the floods come and gone; but there is no guarantee with the interference of human nature. Very stark background...now, bring on the trolls! BB
auntietk
Did you see Denise?
lederhox
Perfect perspective, I love bridges and this photo!!
bebert
impressionnant !!
anahata.c
(Not sure what Tara's joke meant, "did you see denise?" Is she known to like this bridge? Or is it that she shoots a lot of bridges, lol...) Anyway, another of your daring compositions that you do as regularly as breathing: It takes guts to make a shot with all that shadow at top, moving from the light on the bridge's bottom to a big slab of black against the sky (!), but that's one the reasons we come to your gallery: You just don't kow-tow to normal things like horizons, sky being lighter than earth, etc etc. And it's a big imposing vision, monumental actually. And the bridge melds nicely with the land behind it, as if it's part of that land. That's a big river, and it's obviously pretty fierce, yet the bridge here is quite imposing and it dominates the water and land behind it. It looks like an interrupted god. Terrific piece, Marilyn, and shows that while you shoot so quietly, you're moving mountains with your fingertips when no one's looking...