On Aviation and Photography:
"You haven't seen a tree until you've seen its shadow from the sky." -- Amelia Earhart
“You don't take a photograph, you make it.” - - Ansel Adams
UPDATED: September 19, 2010
Hi, My name is Bill and I am updating my homepage to reflect a wonderful event in my life...marriage, September 18, 2010, to my best friend Tara...known to many of you as auntietk here on Renderosity.
We "met" shortly after I joined Renderosity in August 2008. We share a love for photography and indeed all types of art.
We live north of Seattle and enjoy getting to share photographic excursions and information with other Renderositians ( is "Renderositians" even a word? ). LOL
As for me, it seems like I've been taking pictures all my life but I didn't get serious enough to purchase my first Digital Single Lens Reflex (DSLR) camera until May 2008. In May 2009 I upgraded from an Olympus E-510 to an Olympus E-30 with a wide variety of lenses.
My subject areas of interest include absolutely everything but with a frequent return to airplanes, cars, tanks, etc., ...or as Tara says, machines that make lots of noise;-)
If you are curious, I am pictured above in a Grumman Corsair on a taxiway of the Kansas City Downtown Airport. I used to fly and train others to fly airplanes. That will explain my frequent forays into the world of aviation. Last but by no means least, thanks to Pannyhb for introducing me to Renderosity. The moment I saw it I was hooked.
Fine print: Yes, the photo above is a photo manipulation:-)
Hover over top left image to zoom.
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Comments (22)
Faemike55
Very cool solution and great photo interesting POV
MrsRatbag
What a great POV on this eye-shaped window of light, looks like the eye of a huge alien creature!
kgb224
Brilliant thinking Bill. Superb capture Bill. God Bless.
durleybeachbum
What a cracking pic!!
jendellas
Excellent & good idea :o)
auntietk
This really does look like an eye. Outstanding composition, and changing it to b&w was a good choice. I love the graceful curves and lines, and the light is just right. Beautifully done!
jayfar
B&w is the perfect medium for this wonderful shot Bill.
helanker
Excellent shot, Bill ! Its staring at me :D
Blush
Great pic Hugs Susan~
jocko500
makes a wonderful design
Richardphotos
their intentions was for it to last a long time.superb pov
Adobe_One_Kenobi
Very nice work Bill, Love the eye POV and your honey is right, the lighting is exquisite
RodS Online Now!
Aside from the white balance challenges, I think B&W is absolutely perfect for this image, Bill! A beautifully composed photo and perfectly exposed!
bobrgallegos
Outstanding POV very well captured in B&W!
junge1
An interesting perspective Bill and it looks fantastic in b&w!
lyron
Excellent image!!
debbielove
Yep! My stomach is doing somersaults... Thanks Bill.. LOL Its certainly an impressive Lighthouse, and those are some stairs... Good luck.. Great shot.. Rob
T.Rex
Cast iron... stomach? The title got me thinking of Jonah and the whale (which must have had that kind of stomach to put up with an angry man inside it). Looking at the round, round, round makes me fell a bit dizzy today (I wonder why). At first I didn't realize you had made it black/white to solve the white balance problem. This really did a good job with that problem. It would be interesting to see what it looked like before solving the problem! Keep up the good work! :-)
whaleman
Nice one!
alanwilliams
a fscinating aspect, a tricky job done well
nikolais
power of cast iron... excellent image, Bill!!
anahata.c
well several people saw an eye here, and I agree. A big iris. B&W always allows for a kind of 'essentialized' view into something, the way a string quartet or solo piano offers essentialized music compared to an orchestra: The latter is grand and monumental, but the formers bring us to essences and pared down music. In your powerful B&W, you made a massive machine opening up for something or other. The gears in front of us are dark, almost dank. The textures are quite fine, smoother on top and more rough and decayed at bottom. And we can see the light lights break through this laden under-structure, where, at top, the big opening into light is extremely bright and a stark contrast to the "underside" of this massive thing. It has massivity, almost menace on the dark side, it seems to move as if it's slowly opening its jaws, and it has bright light at its center. A truly fine use of B&W, Bill, even though it was motivated by a technical consideration: I don't think you could get all these contrasts with color. And it's a fine piece of seeing. And btw, you've done a number of pieces peering into openings at the ends of stairwells. It seems to be a theme you like to explore from time to time, where each exploration is different, and each one calls you to an inner space inside you and inside us. A wonderful mini-series in your gallery, and I hope you come back to it every so often. You take to its journey very well...