Padlock(s) and chain #5 by goodoleboy
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Description
Fotos ! & 2 captured 7/31/12; 3 & 4 on 8/6/12, early in the AM, within the vast perimeter of the neighborhood.
A ZOOM will do wonders.
Have a nice day.
Comments (10)
morningglory
Chains and locks go together well, Harry. I'd have to guess that second lock won't work for long if it keeps getting wet from rain, facing upwards like that. There sure seem to be a lot of places and things that need securing around your neighborhood.
magnus073
Nice work on this really cool collection Harry
MrsRatbag
Oh my! Whitewashed chains and locks? What a concept! An enormously intriguing collection here, Harry; wonder if people around your area have you tagged as "that guy with the camera who takes pictures of weird stuff"? I'm sure that's what they call me behind my back, and they often look at me with great suspicion. Being a photo ninja is NOT for sissies. Great work!
mgtcs
Excellent sequence of photos, cool work!
durleybeachbum
I like top photo very much, but they are all interesting.
Hendesse
Great series of excellent shots. Fantastic textures and details.
Fidelity2
Great creativity you have. I am amazed. 5+!
danapommet
I liked the #2 photo but don't trust combination locks. I also liked the 'white washed' photos too. A very nice collage!
Rainastorm
A rare site in my parts actually. Kinda funny if you think about it...but the crap that's been happening im sure everything will be bolted up one of these days even here.
anahata.c
first, the montage has real movement: The top shot is more "straight," then the angles get more dramatic as we move down. The top shot has a wonderful "plateau" on which the lock sits, #2 starts the 'cinematic' angles with real motion and sweep (and I love how you caught the fence on the left shooting into oblivion, so to speak). Also, in #2, the lock is a terrific "holder" for the piece (ie, holding it together). Then, after the gold and silvery tones of 1 and 2, the whitewash takes over: And by 4, you have another plunge shot---it feels that way to me---where the lock seems to defy gravity. You have to know how much action you capture in these lock-shots: ie, visual action, angles, crossovers, contrasts---these are cinematic abstract dances. And the contrasts, in 4, of rust-hues with whites is fine. (4 is almost menacing in feel.) More dramatic seeing with padlocks; Not many artists would even bother with this topic, not to mention find the drama in them that you do. I just love this whole series.