Wonderful colors.. very nice bryce work. You did great work again :))

wonderful and best on enlarge Bob.

This is one fantastic looking image you created. Nice job as always, Bob.

Wonderful colors and feeling of transparency, splendid image!

Remind me of an abstract tartan Bob! Like this a lot. I'd love to use it as a material texture. Steve ;)

Splendid drapes and transparencies, excellent work, Bob !

Really interesting work with the abstract things. Almost looks like fractals. Cool work.

Gorgeous work

Beautiful abs. Gorgeous coloring. Corrie

forms still malleable, colors that enchant the mind; beautiful draped crystal! Magnbifique a beauty full of harmonies!!!

A breath of sweet air. Love it.

cool

Beautiful colors and fractal artwork Bob, amazingly done....love it.

Love it!!!

This is beautiful, Bob!!!!

Nice!

Great job!

so sorry I missed these images. I'm not getting notices. this is SO pretty! I like the stripes a lot!

Bob, unfortunately I have to stop for now, but I'm not finished. I'll come back to do more later in the day or next night. (It's 3:20 in the morning here---I just didn't look at the time, and I have to finish some legal stuff before I sleep. I'll be back within 24 hours, promise!) But I didn't want to stop before doing another Bryce piece of yours. "Longships"---I know those as a kind of old sailing ship, maybe of the Vikings. I can see the sail imagery here, as well as the waves. I'm not sure what "tables" are, maybe geological tables, tables of sand or earth under the sea? (If you mean actual 'eating' tables---well, what would come to mind is a family-owned Italian restaurant, with table cloths meant to shatter your rods and cones. But I don't think that's what you had in mind, lol...) A big billowing collection of wind-in-sails and stripes. One thought? Like a hurricane hit a shirt manufacturer, and all their "bengal stripe" button-downs got blown into the cosmos. (Charvet gone mad. Or Hilditch and Key, Turnbull and Asser, pick a shirt maker, I'm cool.) I love the big bulges, and the 3 part composition with that central bulge in the middle like a big hill. And you have a break in the central hill, that strange geologic "V", which breaks into the hill like a small tugboat; I love its intrusion and ornery insistence on being there. It causes waves around it, energy lines, reactions. Then there's a background behind/on top of that hill, a conglomeration of other hills with more of those stripes. The stripes are a wonderful unifying motif, ere. On the left side, a series of curtains in green. And on the right, it looks like we stumbled into a convergence of several billows, one of them feeling like a huge closeup. Glimpses into another world. And, as in many of your images, both Bryce and Poser, you've layered images underneath, like screens upon screens. On the far right, there's a big glassy curve, definitely the glassiest and most reflective surface in the piece. (Do you know the glass work of Chihuly? If you don't, you might find it enticing. Some of your curves make me think of his.) That glassy curve is a great addition---and it intimates a whole lot more out of the frame. The colors really get intense on top of that glassy shape. Often, in your abstracts, there are the beginnings of whole new works right as we're about to leave the frame; indicating that that new world is awaiting us on 'the other side'. Another of your beautiful bryce pieces, filled with overlapping highways of color and surface, with intimations of worlds underneath, beautiful hues, and a lot of other stuff that you do in these pieces. Abstract realism works really well for all of these---they are abstract, but they feel very organic, from nature. It's beautiful once again, Bob. I'll be back in 24 hours, but for now, it's a pleasure to sit with your work at length, once again.