Ford Mustang - with variations by goodoleboy
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Description
Having more fun than a human being should be allowed to have.
Captured 5/12/14, early morning, somewhere around the neighborhood.
Original on top.
Since he likes this stuff so much, I'm dedicating it to debbielove.
Totziens.
Comments (9)
giulband
Excellent pop art example !!
claude19
excellent series !!! wonderful creativity !!!
Cyve
Fantastic manipulation. Very very great result !!!
motic
Isn't it a 'must have' 'bad ass' car?? YES it is! ;o]
MrsRatbag
Nicely done, Harry; good filter play in this series. This muscle car lends itself well to all sorts of playing around!
jocko500
cool work
bmac62
One of those series I always appreciate...my kind of thing:) It is fun to mess around with filters and sliders of all sorts. Good job Harry.
debbielove
A very droolworthy Mustang mate, just sent it over here lol Great fun with the variations.. Rob
anahata.c
In the original, the car dominates by its bright saturated yellow (almost orange-yellow). If one examines the two ends of the car, they'll see you have the same amount of space behind as in front of it---conscious or no, your instincts are dead on. It's centered perfectly, and the angle shows off its forward thrust. (Fascinating structure behind it, btw, I mean on the right---an open porch maybe? I can't tell, but it's fascinating and even a little dilapidated.) The second you've greened-up, and added intensification (edge filters maybe: it makes little colonies of everything). Intense and other worldly in hue. Almost neon in nature. The third, purples have invaded, very intense, and the background is now almost black and white. It's almost a newspaper shot, but for those purples. Fascinating combinations here. The fourth is almost all blues; but, close up, we see light blues (greenish-blues): It has the feel of newsprint shots, with bleed between the color groups. Fascinating follow up to the two before, which deal with at least two strong hues rather than one. And this leads to...the last one, which seems doused in some kind of inversion, at least in the shadows being lighter than the lit parts. But with heavy purples and iridescent greens---and it's softened a bit. A strong ending to the montage---a "big finish!" as they say in the theater biz)). A fine sequence---and there is a sequence: I can't describe it, but the pictures definitely communicate with each other, and lead to this end. And it starts with a strong original. I say that because I'll do variations based on a poor original; but you do them with strong originals, and your originals don't take over your variations. Fine work, Harry, and more fine montage from you. Well I'm at a little over 90 minutes (incl, unfortunately, the mad-play with RR). So I have to end for now. But I did another nine, and got to page ONE of your offerings---ta da!!! I'll be back for more in the next day or so. As always it's a pleasure: I'll be back soon!