*"What is pop art doing in your opinion?" "It is using the commercial potential of art, I reckon."* Roy Lichtenstein, 1963 --- Subject: Digital Quest For Affection, two pictures assembled, and moduled in Adobe Photoshop 3 --- Pop(ular) art was used to define, in England,a wave born in the 60s in USA, and from there quickly spread all over the world.Pop Art moves from the acknowledge that we live among commercial objects,bombed by constant visual advertising about them,that multiplies these objects in infinite numbers of copies,watchin us like totems from the walls of our streets, from tvs, from papers.Just like in previous times other objects and subjects were having their own languages to the viewer, so these industrial objects have theirs, that we naturally understand by osmosis since we are authomatically capable, living in these times where they are present too,to relate with that reality that makes our minds "consumistic" which they represents.We are conditioned by this situation, and this has modified as well our ways to see and to get the images around us.Pop art puts under our eyes the trivial, that we live immersed in, and tell us that this trivial has its sense; this trivial, is actually us, our societies' mark. And it is not a bad thing.Often people have related Pop Art to Dadaism. But again, Dadaism was a controversy against the kind of trivial that pop Art celebrates not like a disease but like a statement.Something that exist, so better analyze it than refuse reality.Pop Art wants to celebrate the trivial not because it is good in itself, but because it is a sign of current times, and it's artistic to describe the current times just like they are. With the language apt for it.The trivial object gets then observed, decontestualized, extruded from its frame with a similar way than Metaphisic and Surrealism used, but without any other aim that make us see that that trivial object do exist. As an important, yet undervalued, part of our life.Most relevant Pop Art names were Oldenburg, Warhol, Lichtenstein.Before them, as passage artists we shall mention Johns andRauschenberg. The three major names, in their personal accents, study detailes of life as we live it, enlargin their importance, and at the same time lucidly makin them sterotypes, revealing the conditioning they excercise onto us, by a sort of apologetic erasing based on deconstruction.When Lichtenstein enlarges comics, or objects, or even famous paintings from the past, and through mechanically handly reproduced topografic technique colours them with widened lines of basic nuances and primary red, yellow and blue, he brings us to a new reality. He enlarges to make us see, but as the colours widens their lines and dots, our eye, and then our mind is not anymore capable to reckon the object, once again,not anymore because we undervalue it, but because we are getting too deeper about it.In this thin balance between the trivial and the depth of thoughts about our society mechanism, stays the greatness of Pop Art, too often misconceived by many who state they like it, even. ------------- This was the last piece dedicated to The Art Movements. I thank the people in 2D Forum for challengin me in takin these tasks :) Hope you enjoyed. I enjoyed to create these 7 Sisters, quite unusual creations from me.