Jim Tetlow
Born 1974, UK
I like ambiguity in art. Uncertainty. What has to conform to the limits of our reality? Metal, glass and flesh can merge seamlessly, as if the surreal worlds and the life forms within are one and the same, and yet at odds sometimes. I rarely seek to endow my works with any "message". I am more interested in people's personal responses.
I'm a multimedia artist working in fine art (including sculpture), digital art, graphic design and various forms inbetween, also illustrating book covers and numerous CD covers. I also work in musical soundscaping, both solo and in group projects, of which there are many releases. I'd like to say a big thanks to everyone here who has supported me in my work and beyond since I began posting in June 2001. Too many to mention, you all know who you are... I'm meeting very special people here :-)
Update 01-08-05: I've been given a 4 page feature article in Issue 3 of the new media magazine Contour based in Atlanta, Georgia. The images printed very well and they did me proud.
Update 21-03-06: I've been spending the last 6 months living in New South Wales, Australia. Inspiring place! Also in the process of illustrating the book covers for a series of Japanese books called Hikishio no Toki (Time of the Ebb Tide) by Mayumura Taku - to date I've completed the first two of the five volumes. I've recently been returning to traditional media as well as producing the usual digital art, and contributed a sculptural canvas to a recent local exhibition. Link: Saatchi Gallery webspace
Update 09-01-21: I hadn't even logged in for some years. It's weird nipping back here after not even posting for 13 years, like revisiting your old school incognito. As I'm not active here anymore I wonder if anyone will even see this again besides me.
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Comments (6)
Tanialmeida
this image has a wonderful lightning, a stunning work Jim, congratz!
irix.
amazing piece as always jim hugzzzz
crrunchyfrog
Kudos to you for this excellent image, Jim. It has a creepy voyeuristic feel to it (in my mind, anyway) in the way that the muse is eyeing the seed... Thanks for sharing hugs :D (from Matt this time)
syndroid
This one is excellent and has philosophical content. I love how the eyes and mouth are represented. A thirst for admiration and knack for 15 minutes of fame. Press the button/ I can talk/ there is nothing/ in my head.
Synapse
Getting people's differing responses fascinates me utterly, because I rarely think of anything directly representational when I do my stuff. People can say "you must have meant..." (insert philosophy here) and I'll just say "not really, I just thought it looked good" ;-D
So thanks everyone for your interpretations, it's what fascinates me most :-)
gallimel
This piece has all the taste of Etruschi's masks in before ancient latin times. It's impressively similar to those works, and knowing where it offspring from, it just tells one thing: art , real art is eternal. Patterns of languages come back :)