Forum Coordinators: Kalypso
Carrara F.A.Q (Last Updated: 2025 Jan 11 8:46 pm)
Visit the Carrara Gallery here.
1.) This is totally way cool! I'm very impressed with the blur/grain to get it to mesh with the image. 2.) The light in the original shot doesn't look like it goes from dark to lit to dark. The darkness of the front of the train was distracting for me. This is VERY impressive and you should feel great about it! -Kix
-Kix
Thanks, y'all. Yeah, there are some mis-matches in the composite -- the front of the train is too dark and the color temperature seems off a bit between the train and the BG. But this was done in about 15 minutes (not including modeling time, obviously!) mostly for giggles and to show the director of the movie that it will integrate reasonably well with live material. I'll be compositing people inside the train, as well -- actors green-screened, then mapped onto a plane with transparency maps to get them inside. When I have some animation, I'll post it to my website and link you all to it. - Dex Now, all I have to do is get it to move properly. Oh, yeah, and there's the scene where the brakes snap off and clatter to the pavement, just before the whole thing derails into another dimension.... :o)
Not bad at all. I'd still play with the tex just a little. This will probably work the way you seem to be doing it -- fast crosses with motion blur, etc. But I'd love to see it done up "hero" style with dirt and oil stains, peeling posters, transmap for all that dirt and grease on the windows, and spec map to show where the body gets hand-rubbed smooth, scratched to bare metal, etc. Oh. Wonder what this would look like if you stitched a panorama of the actual area and used it as HDRI?
Heh. Good call, claudiomil. I have yet to see a train on any of the outlying circuits that didn't have at least one cabin light gone yellow or missing. And second that you should be proud, sfdex. If what you have Right Now made a 2-second cross I for one would never even stop to think it wasn't real.
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I added motion blur to the train (since it's night and therefore a long exposure), some grain (since it's night), and some bleed over from the lights behind the train to tie everything together. Not perfect by any means, but I'm pretty happy with how it's working.
Comments and suggestions as always are very much appreciated!