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Photography F.A.Q (Last Updated: 2024 Dec 28 1:17 pm)
I'm trying to decide if I like the 1st or 2nd better. I rather like the moodiness of the first with the drapery folds in shadow--and the dress and face not so bright. Hmm, I think I DO prefer the 1st--it has a quality about it that seems to suit the graininess. No, I personally don't think it is too grainy for what I see as a moody, environmental photo. I do prefer the b/w to the 2 color sepia, though-- BTW, there is a terrific VERY grainy B/W in the magazine 'B & W" (all black and white photo images--not process)that I love, so I'm def. not opposed to 'grainy' b/w images. Diane
I like that a lot! But if it were clean, the feeling wouldnt be exactly the same. Its hard for me to explain why, though. Is it because over the years weve been conditioned to seeing that look as a part of B&W photography, especially older photos, or does it really touch a warm emotion deep inside? I knew an old DJ once who didnt like CDs when they first came out because he missed all the scratches and pops that he was used to with records. I often feel that some of the digital camera images I see are just a little too smooth or clean. I dont wanna feel like the old DJ, but I still like the film look better, especially B&W. And as for old photos, I tried to accomplish that look with another picture. Its called Wagon Wheels, and its in my gallery here at Renderosity. If you get a chance, check it out and let me know what you think. Thanks to you and picnic for your feedback. It really helps!
Gee whiz! I'll have dig up some 1954 negatives from the archives. The normal practice was to "push" the Tri-X for all the low light we could capture. It was only successful part of the time, available light being very hard to judge and light meters are useless on the street at night. I'll vote for No 1 in this series. The dark is deep and few highlights. Almost the tonal range of charcoal drawing. Grain is part of the game. Sometimes you are forced to accept it and sometimes it adds to the effect.
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