On Aviation and Photography:
"You haven't seen a tree until you've seen its shadow from the sky." -- Amelia Earhart
“You don't take a photograph, you make it.” - - Ansel Adams
UPDATED: September 19, 2010
Hi, My name is Bill and I am updating my homepage to reflect a wonderful event in my life...marriage, September 18, 2010, to my best friend Tara...known to many of you as auntietk here on Renderosity.
We "met" shortly after I joined Renderosity in August 2008. We share a love for photography and indeed all types of art.
We live north of Seattle and enjoy getting to share photographic excursions and information with other Renderositians ( is "Renderositians" even a word? ). LOL
As for me, it seems like I've been taking pictures all my life but I didn't get serious enough to purchase my first Digital Single Lens Reflex (DSLR) camera until May 2008. In May 2009 I upgraded from an Olympus E-510 to an Olympus E-30 with a wide variety of lenses.
My subject areas of interest include absolutely everything but with a frequent return to airplanes, cars, tanks, etc., ...or as Tara says, machines that make lots of noise;-)
If you are curious, I am pictured above in a Grumman Corsair on a taxiway of the Kansas City Downtown Airport. I used to fly and train others to fly airplanes. That will explain my frequent forays into the world of aviation. Last but by no means least, thanks to Pannyhb for introducing me to Renderosity. The moment I saw it I was hooked.
Fine print: Yes, the photo above is a photo manipulation:-)
Hover over top left image to zoom.
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Comments (33)
sandra46
great experiments! among these i prefer the original, all considered, with the beige send best.
anahata.c
bill, I don't think the 'black' is a problem, I think it's the natural problem of silhouetting a prickly thing against any mono-tonal background, because the sharp edges will always stick out. I've silhouetted pointy images for years, sometimes on assignment, and it's always hard to do. I think both backgrounds are fine, and black would be the natural choice because it's the most neutral towards the reds & greens of the rose. But those prickly 'bits' (thanks Andrea!) will always cut their way into a mono-tonal background, no matter what the hue. Maybe Tara's suggestion may solve the problem because her background has a little activity to 'absorb' those prickles. In any case, this is an experiment, and it's great that you called for responses, and that you're testing the essentials of art—ie, foreground against background, light against dark, etc. This would come under the category of a "study"—something which da Vinci & Rembrandt did all the time, straight up to Picasso and other 20th C. masters. And in that light, you added a second background. In the zeal to post finished images, many of us forget that study & experimentation are what got us here in the first place, and I'm glad you're doing more & more of these. The photo itself, btw, is rich with all the contradictions that nature gives us. Love where you're going visually, & hope you soar in these directions...
SydneyB
I like it best in all its natural glory!