Getting a handle on things by goodoleboy
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Description
Snaps of the same garage door at various time intervals.
Captured 2/11/10, around 8:15 AM, within the confines of my condominium complex.
A ZOOM will certainly enhance the view.
With the realization that its lifespan is extremely short lived, at least for that day, the handle shadow makes the most of its existence, extending out as far it can before the entire door is cast in darkness.
Adieu, and thankx for the peek.
Comments (11)
TwoPynts
Nicely composed Triptych!
MrsRatbag
I remember well the texture of those metal gate handles when they've been painted over like that; takes me back to my childhood! Nice set of shots of the textures and lengthening shadows.
Rainastorm
A shadow that reaches for anything in its path as it covers ever so gracefully. What is covered, lies in shade enjoying the coolness knowing its short lived. In some cases these shadows are a form of protection as odd as that may sound...a simple shadow protecting from a moment of sun. A cool (no pun intended...lol) set of shots you have here Sir. :-) Have a great week!
beachzz
This could almost be a form of a sundial--great shots!!
Liam.
Interesting idea
durleybeachbum
I like this!
jocko500
love the lighting you have here
bmac62
Excellent Harry! That is one playful shaddow...at least until the darkness makes it come in from play for another day. Very creative my friend.
Biffowitz
I love the long shadows and textures, good eye Harry!
mbz2662
Congratulations on LWITG! I like the look of the lines and shadows Harry. Super Collage :)
anahata.c
I have to stop here for now, but will be back for more in the coming days (I can't catch up on everything, unfortunately, but I'll catch up on more than this). But I couldn't stop without commenting on this. Congratulations on the LWitG---well deserved! I saw it when you got it. I'm glad they honored your eye & your way with a montage. You've moved from closer to slightly further & slightly further, and the detail actually gets stronger as we pull away. The top is more painterly, the middle is chock full of wood grain (and paint grain), and the bottom lets us see the language of joins & irregularity of the panels as they touch each other (or not). I love that kind of detail. And the shadow morphs subtly in each panel. A fine study, a fine closeup of light in action, and another sensitive collage---made, once more, in your backyard. Artists have understood from the beginning that they could sketch from their own surroundings: They found poetry in a simple stream or tree, or apple in their own living room. It's a lesson to all photographers: Learn from what's in front of you, and you can photograph anything. Fine job again, Harry. And congratulations.