Mon, Nov 18, 6:44 AM CST

Street scene #1 - with variation

Photography Scenic posted on Sep 22, 2012
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Description


Taking a rather ordinary and pedestrian image and injecting some postwork life into it. Captured 9/21/12, very early morning, within a mile of my aesthetic abode. Original on top. A ZOOM is essential for consummate viewing. Avtio, and have a nice day.

Comments (11)


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aksirp

3:10PM | Sat, 22 September 2012

cool and great light! would like to have this big fat truck left side ;)

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durleybeachbum

3:27PM | Sat, 22 September 2012

It looks an expensive neighbourhood!

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Rainastorm

4:21PM | Sat, 22 September 2012

Boy I love what you've done with the bottom one Harry! So cool! Looks like something right from the movies! Lol

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magnus073

4:27PM | Sat, 22 September 2012

Great work on this one Harry, you really brought it to life with those cool effects

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Hendesse

1:29AM | Sun, 23 September 2012

Great back light shot and super postwork. Fantastic effects on the second image.

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MrsRatbag

11:20AM | Sun, 23 September 2012

The original has lovely shadows and lightplay, Harry; the variation is otherworldly! Great work!

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dragonmuse

1:12PM | Sun, 23 September 2012

very surreal result.

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tennesseecowgirl

7:53AM | Mon, 24 September 2012

Cool treatment!!

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mgtcs

3:25PM | Mon, 24 September 2012

Beautiful neighborhood! my friend, very cozy place, very well done!

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anmes

5:44PM | Mon, 24 September 2012

Love the contrast..especially the ethereal result below!

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anahata.c

11:16AM | Wed, 03 October 2012

well ok, first of all, I love the first shot: For me, it's anything but 'ordinary and pedestrian' (artists are allowed to be critical of their own work---it's in the contract---but as the viewer, I just love that shot!). I can say, as a photographer of lots of street scenes, that shot just sings with intense light, with an almost mystical light in the back (it's eating up the scenery back there), with wonderful dark overhangs and shadows, and a feeling that we're being led into a strange other-world where it's hard to figure out what's back there---does the city end, is there a space ship that devours it all, is there a great canyon? I can't help thinking those things from the light. And the light in the center---the way it floods the crossing-lines---only emphasizes the mysterious power that your morning light has. I love that shot. Your postwork has inversion, but with real saturation of hue, fine border light around the trees, you've drawn forth the light and details from the cars---almost like they were from another picture of the same scene---and given it all a yellowish night-light tinge. Very fine postwork, Harry, and the original was wonderful urban seeing, so it's a double treat in my book.


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