We escape at dawn #2 by goodoleboy
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Description
Captured 9/6/13, very early in the morn, along the backside of an industrial area.
Extraordinarily better viewed via ZOOM.
The best of five shots I took of the barbed wire/fence/wall. When I raised the camera just a teensy bit for a more dramatic shot, I was met with a blazing sun, which overwhelmed half the photo. The solution is to get there earlier in the morning so I can show more fence and less wall. A goal to be met next time I'm in the area.
Cheerybye.
Comments (14)
ronmolina
Nice shot!
magnus073
Nice work on this cool capture, Harry.
MrsRatbag
Well, I'm no expert, but this is a pretty darn dramatic shot in my opinion, Harry. Love that tilt, and the deep blue of the sky, and then there's that fence pattern shooting off into the distance...marvelous shot, really well done!
mbz2662
See you over the wall ;) Great shot , Harry.
beachzz
Wow, this is a great shot, Harry; the angle and the light are just perfect!!
durleybeachbum
This is most striking, Harry. Well done, looks great to me.
prutzworks
coool title and shot
sharky_
Great POV and the time is right... Nice shot. Aloha
johndoop
Very cool shot!!!!!!
Cyve
Great capture !
racolt33
This is a great POV shot with a perspective of a never ending barbed wire fence. I cant tell if this fence is keeping something in or out. Very well done!
tennesseecowgirl
Are they trying to keep you out Harry or locking you up?? lol wonderful image!
FredNunes
Ordinary turned to extraordinary with this POV. :-)
anahata.c
in honor of your favorite holiday, I've decided to start my comments before Halloween rather than after. (This will be in a few sittings, but I'll do a number of your images in the next couple of days.) I remember your comment, above, about frustration at not getting the shot you wanted. But I agree with Denise that this is a fine shot no matter what you wanted. For one thing, it looks like you toned down the sun either through the camera or postwork, because even at that low level it would likely flare the shot. But here, it peeks over the wall with real presence, but no flare. And it becomes one of the handful of so-clear elements in this minimalist-abstract taken right out of life. And secondly (on that point), it's another of your minimalistic visions, with a few elements all interacting very cleanly and expressively---your keen penchance for abstraction. So clean and clear. And your tilt works perfectly---remembering (as I say often) that tilts are often "artsy" and effected in many hands; but when you use them, they're an integral part of the vision rather than an effort to look "artsy" or be pretentious. Then, the sky is wonderfully clean, and its morph from darker to lighter blues makes another element in your fine minimalist palette. The angle in the metal rod on the left---the thing in a fence that holds up the meshwork (name???)---takes us effortlessly into the sky; while the wall below is another pure plane of blues. Really, a perfect example of how you find patterns in life, and how you hone to their essentials, no matter what the subject or how hard it was to capture it. Fine work; or as FredNunes says, "Ordinary turned to extraordinary." Hear hear.