Chevrolet Camaro - with variations #1 by goodoleboy
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Description
Having more fun than a human being should be allowed to have.
Captured 6/8/13, early morning, on the parking lot of my local post office.
Original on top, and okay to ZOOM.
Cheerybye.
Comments (10)
johndoop
Beautiful collage of a fine car i love the last picture Superb!!!!!!!!
durleybeachbum
I like the mono one as a picture the best, and I do like the yellow colour.
bmac62
Like the most radical variations the best Harry. I haven't done a lot of this lately. Very inspiring:)
MrsRatbag
An excellent shot to begin with, and a great selection of variations as garnish. All of them work quite well--good eye, Harry!
magnus073
These are some super cool variations, Harry.
jocko500
real cool work
claude19
I particularly like # 4 from the top ... beautiful car 'ghost'!!!
Cyve
beautiful car... Great manipulation and fantastic results !!!
debbielove
Now that IS a car and I want it lol Super variation play mate, good work! (Send the car to me now lol) Rob
anahata.c
Well, it's the middle of my night, but I got to sleep way early, so I'm awake as a rooster at sunrise. (I can't believe I just wrote that phrase, like I'd been living on a farm for the last 30 years. I haven't even SEEN a rooster in 30 years...) Anyway, I'll make my first session for all I've missed, starting where I left off. First thing---having nothing to do with your wonderful car montages---I can't help but think, with a Chevy, of the hot water GM has been in of late, esp as they knew about their dangerous defects for years, and tried to cover them up. But that doesn't damn every one of their cars, or take away the beauty of them, esp in a montage. The original has fine textures in the ground, and that stark deep-orange (in the brick wall) makes a fine contrast to the yellows and blues of the cars. And the Camaro shines vividly. I see why Andrea likes the mono so much, as it has a fine-etched quality and stipple---you've spoken of doing technical illustration in the past, so you probably know all about stipple and other dot-centered techniques. It's finely done, not just b-and-w, but a finely textured one. It could be an upload of its own. I see a wave of contrast in the 3d, like an old film photo that's been overexposed in spots. Its subtlety makes it all the more attractive, and I like the wave of bright orange to deep brownish orange, etc. You're exploring various visual elements in these. In 4, at first one might think you inverted, but you have original hues in many places, so this is more a re-coloration (with some inversion, and even black and white thrown in). A blend maybe? It's beautiful. The last is a mirror image both horizontally and vertically, and what's fascinating is how a backseat window in the adjacent sedan becomes like a "watch-tower" for the whole. It's almost a kaleidoscope. And the post office now looks like one of those Soviet apartment blocks that feel as much like a prison as like a living place. Lots of variety here, and your usual exploration of element after element of graphic expression. And there's a sequence from mono through to highly colored, ending in a total transformation. More very thoughtful montage work, Harry; and, of course, visually exciting and lots of fun.