Striped auto - with high key variation by goodoleboy
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Description
Captured 1/22/15, early on an overcast morn, not far from home.
Adjo.
Comments (7)
Cyve
Marvelous car and fantastic images my friend !!!
magnus073
I think the variation here turned out great, Harry.
claude19
with the variation of the bottom, you are not far from achieving e very graphic picture of the car and its environment !!! superb series !!!
MrsRatbag
Excellent photo and wonderful variation, Harry; I like the high-key graphic feel of this very much! Well done!
Rainastorm
Very cool, how are you?
HopeFadesEternal
There third generation Camaros have always been some of my favorites. I was fortunate to get to drive a number of them back in the day when I worked at the Chevy dealer. My all time favorite being the Z/28 with the port fuel injected 5.0L with a manual transmission. I used to refer to them as being psychotic as they could go from lugging in second gear to redline in an instant -- of course, accompanied with unexpected wheel spin; so you had to keep on your toes and keep those toes softly on the pedal unless you were ready to let it run.
anahata.c
Every so often while commenting chronologically, I come across two shots that I'd already commented on, and I think: Where'd THAT come from? (I want to say to myself, "you little sneak!") Anyway, I skipped 2 because I'd commented on them. So now I resume... The original is another classic car pov from you (and far from the curb too: man, if they did that in chicago, they'd have tickets within 10 minutes!). It has your typical shot of the front, top and side all at once. The side is jewel-like in clarity, while the top and windshield seem covered in dew. That has to be moisture of some kind, from the patterns it's making. A fascinating contrast with the side. And the front returns to jewel-land again. A beautiful capture of a car. The variation is high-key central, which you handled with real panache. You've whited out a lot of the shot, but left blacks on the side and front of the car, still retained a yellow feeling (in several places), and outlines of cars in the background, with standout backlights. A fine use of the obliterating power of white, rendering all objects and lines as strong 'statements'. To me, ultra high key always feels 'dangerous', but when done well it can be very expressive, as is this. Fine work.