Fri, Oct 4, 10:22 AM CDT

St. Vitus Cathedral

Photography Architecture posted on Nov 04, 2015
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Description


St. Vitus Cathedral is located within the Prague Castle complex. The prominent & colorful scene in the middle of this photo is a mosaic of The Last Judgement, which was completed in 1371. Some interesting information I found out about it from the Getty Conservation Institute website, which was involved in a multi-year restoration project on the mosaic that started in 1992: "Located on the south facade of St. Vitus Cathedral in Prague Castle, The Last Judgment is considered the most important exterior monumental medieval mosaic north of the Alps. The mosaic encompasses 84 square meters (904 square feet) and depicts the Last Judgment in triptych form. It was completed in 1371 at the request of Charles IV, king of Bohemia and Holy Roman Emperor, who, during his reign, made Prague the empire's center of power, religion, and knowledge. In the mosaic's center panel is the figure of Christ surrounded by angels; kneeling beneath them are the figures of six saints of the Czech lands. On the triptych's two side panels are images of heaven and hell. Thirty-one shades of colored glass, plus gilded tesserae, can be found in the approximately one million glass pieces that compose the mosaic. Originally, the entire background of the mosaic was gilded, hence the name of the southern portal of the cathedral—The Golden Gate. For most of its existence however, the brilliant colors of The Last Judgment mosaic on St. Vitus Cathedral in Prague have been rendered invisible, covered over by a layer of corrosion that has repeatedly formed after each past cleaning. Despite attempts to restore the mosaic to its original appearance—the first as early as the 15th century—the problem of the corrosion continued into the 20th century without a long-term solution. The mosaic's conservation problems were due to the composition of the mosaic's glass. In Central Europe (and other parts of Europe), the soda needed for glassmaking was not readily available, so glassmakers typically used potash (potassium carbonate), extracted from the ash of burned wood, as a flux in the preparation of the glass. Unfortunately, potassium glass is less stable than sodium-based glass. When exposed to water, the potassium in the St. Vitus mosaic's glass leaches out, and then interacts with pollutants in the air, resulting in the formation of the corrosion layer. In October 1992, the Getty Conservation Institute and the Office of the President (OP) of the Czech Republic began collaborating on the conservation of The Last Judgment mosaic. As part of the GCI-OP project, various methods of mosaic cleaning were researched, and the Department of Material Science and Engineering, University of California, Los Angeles (UCLA), assisted in the development of a system of coatings for the protection of the mosaic surface after cleaning that would prevent the reforming of the corrosion layer. All proposed technological steps and planned interventions were discussed in detail with an advisory group of leading Czech art historians, historians, and conservators. These steps included removal of the corrosion layer, conservation of the mosaic, regilding, coating of the mosaic glass tesserae, and implementation of a regular monitoring and maintenance plan. Conservation of the central panel was completed in 1998. Conservation of the right panel was finished in 1999, and was followed by the left panel's conservation in 2000." Please zoom.

Comments (8)


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anahata.c

4:06PM | Wed, 04 November 2015

I met a few conservators who worked on some other European mosaics, and they talked about the effects of corrosion. It's a daunting job to find a solution and then (gasp) apply it---stone by stone, glass by glass (tessera by tessera). I'd not heard of this mosaic, but it must be stunning close up! From your pov, it's radiant' and one can see the planning that must have gone into it. If we think about what we'd feel putting our personal family-history on the fronts of our homes, and do it in an excruciatingly exact medium like mosaic, one can imagine the devotion these designers had towards their faith, to produce something like this. The picture centers us in the street portion of the facade, yet, for all that, it still feels vast. Love the photographer in front. And the hues are vivid, the lines strong, and the contrasts strong. (Ie, between entryway and the darker side-facades, the greens, the colors of the pedestrians, and a walkway which---from your pov---looks like an early 3D rendering of a floor!) Crowded, yet open, a very inviting photo.

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MrsRatbag

7:53PM | Wed, 04 November 2015

Amazingly beautiful! I can't imagine the impact in person...what a stunning city!

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durleybeachbum

1:09AM | Thu, 05 November 2015

How exciting that they finally cracked the problem! I hope you have photos closer of the mosaic.

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moochagoo Online Now!

2:26PM | Thu, 05 November 2015

Thank you for the story. I never have been in Prague.

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bmac62

3:22PM | Thu, 05 November 2015

First done at a time when many, many were illiterate. Here we have the intended message of the church for all to see. What a work of art! Thanks for the look-see and the conservation story. Another wow.

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Cyve

3:55PM | Thu, 05 November 2015

Fabulous !

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kgb224

1:10AM | Sat, 07 November 2015

Wonderful capture my friend. God bless.

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auntietk

11:29AM | Sat, 07 November 2015

That's so interesting about the potash! Thanks for the info.

I've thoroughly enjoyed my romp through your gallery, and although I haven't commented on everything, I certainly looked! You've got me hooked on the idea of going to Prague. It's been on my list for a long time, but wow ... Wow!


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