On Aviation and Photography:
"You haven't seen a tree until you've seen its shadow from the sky." -- Amelia Earhart
“You don't take a photograph, you make it.” - - Ansel Adams
UPDATED: September 19, 2010
Hi, My name is Bill and I am updating my homepage to reflect a wonderful event in my life...marriage, September 18, 2010, to my best friend Tara...known to many of you as auntietk here on Renderosity.
We "met" shortly after I joined Renderosity in August 2008. We share a love for photography and indeed all types of art.
We live north of Seattle and enjoy getting to share photographic excursions and information with other Renderositians ( is "Renderositians" even a word? ). LOL
As for me, it seems like I've been taking pictures all my life but I didn't get serious enough to purchase my first Digital Single Lens Reflex (DSLR) camera until May 2008. In May 2009 I upgraded from an Olympus E-510 to an Olympus E-30 with a wide variety of lenses.
My subject areas of interest include absolutely everything but with a frequent return to airplanes, cars, tanks, etc., ...or as Tara says, machines that make lots of noise;-)
If you are curious, I am pictured above in a Grumman Corsair on a taxiway of the Kansas City Downtown Airport. I used to fly and train others to fly airplanes. That will explain my frequent forays into the world of aviation. Last but by no means least, thanks to Pannyhb for introducing me to Renderosity. The moment I saw it I was hooked.
Fine print: Yes, the photo above is a photo manipulation:-)
Hover over top left image to zoom.
Click anywhere to exit.
F Number | f/2.8 |
---|---|
Make | FUJIFILM |
Model | X-Pro2 |
Shutter Speed | 10/280 |
ISO Speed | 800 |
Focal Length | 18 |
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Comments (14)
T.Rex
Thanks Bill. So, it's the bottle shaped Dahlgren gun. But I couldn't bet on it since it could have been an earlier gun considerint the time it took to build the fort. Keep up the good work. :-)
My, Kitty is trying to help me type!
wysiwig
Interesting way to aim the gun. I wonder about the recoil.
bmac62
The cannon, when fired, slides back along the long rails of the carriage. Since the gun is a muzzle loader, it has to come way back so the gun crew can swab out the barrel (sparks, gun powder residue, etc.), ram the next powder charge down the barrel, then ram the next cannon ball/shell down the barrel...all from the front end. Then the crew pulls the cannon all the way forward to its firing position with the muzzle sticking through the firing port in the wall. The crew drill for this was/is quite elaborate but with a crew of about ten, all these actions are fast. Oh, and needless to say, the gun must be carefully aimed after it is reloaded. This is hot, dusty, smoky, ear splitting loud work.
PhthaloBlue
Great capture!
photosynthesis
Aha - thanks for clearing that up, Bill. Now I can stop wondering about that & move on to the next enigma...
durleybeachbum
Absolutely fascinating
Faemike55
Fascinating and wonderful
ArtistKimberly
Fantastic Image,
kgb224
Superb capture my friend. God bless.
jendellas
Really very interesting. x
RodS
Well, I thought those tracks had something to do with the guns... Now I see what!
Very cool shot, Bill!
X-PaX
Very nice capture Bill.
sharky_
I can imagine when they fire that canon....everyone keeping their ears closed. Interesting shot. Aloha
junge1
Great capture Bill and interesting information!
anahata.c
when I first saw this, you hadn't posted your reply to Mark. I love all you said, very informative, both about the maneuvers and about the difficult nature of the job. Also, when I first saw this, I couldn't help think of a huge distorted piano, or even rail car. Pianos, in dark silhouette in an old hall, can look a little like this. I always thought they were dark beasts...in any case, another wonderful example of your handling of 'monotonal' hues (which are never mono, but multi; but we call them mono because they're basically light-against-dark). This one in a green-tinted sepia. Beautiful sweep and mystery and shadow. And more of the light in the bricks. And the heavy overarching presence of the walls and ceilings. And all accented by that huge canon and its chassis---a beautiful heavy shot, with real presence and mass. Really superb work, Bill.