Forum Coordinators: RedPhantom
Poser - OFFICIAL F.A.Q (Last Updated: 2025 Jan 09 3:46 am)
Bless you! Bless you! Bless you! You really brought a smile to this Whovian! :-) I got to see Jon Pertwee (really funny guy - he yelled at me when I walked in late to the convention!), Tom Baker, and Peter Davidson (on his birthday) at various conventions along with several of the supporting cast members. I still have my extra long scarf although I don't have my sonic screwdriver any more. Do the doors open, or do we need to trick it with transparency maps? Either way, thanks sooooo much!!!!!!!
Wow! I met Jon Pertwee, too. Also Tom Baker, Peter Davison, and Colin Baker as well as several companions. Wonderful people, all of them. All the people I met at the Visions conventions were fantastic. Wonderful memories. This TARDIS is just a real treat to go with the K-9, Dalek, and the long scarf I've collected from Free Stuff over time. I wonder when someone is going to construct a TARDIS interior with the console and the roundels on the walls. That would be fun. (hint hint) :) Melanie
This is turning into a Who-Con :) Cool. I got into doing science fiction art when I discovered Dr. Who fandom back in the early 80's in Southern Florida. Over the years, I met all but the first and the last Doctor, and Colin Baker became a friend....Many, many wonderful memories! And boy, could I ever use a Tardis---you should see my art studio! :) This is a beautiful model, thank you for making it free, too :)
I've met both John Pertwee and Tony Ainly (The Master) at a con in Columbus,OH years ago and have planes to make a smal K-9 but never got around to doing it. Interior shots could be fiddled with by using pics and just creating the control column so people can be seen behind it
Why shouldn't speech be free? Very little of it is worth anything.
"So who owns the "copyright"- public domian usage, the UK police, the BBC, or me? :)" There was quite a debate about this not so very long ago, when our Police force wanted some of the BBC's royalties. Don't know if it ever got sorted. I used Geralday's Tardis in a couple of images, and built my own interior using Bryce.
The greatest part of wisdom is learning to develop the ineffable genius of extracting the "neither here nor there" out of any situation...."
Oh, Heavens, no one could make an entire interior! It was infinite. I was really referring to just the control room, which really didn't change much, other than the old wood paneled one, but I had a weakness for the standard white room with circled walls and the dysfunctional control console. Even just the console with morphable central column, so it will go up and down, would be enough, and the background could be improvised. Patricia, did you ever have any connection with the Guardians of Gallifrey down in Florida? I had a very nice, long-distance membership going with them, way over here in Oregon. They used some of my artwork on their newsletter covers and one made the cover of one of the yearbooks, plus some of my stories got published through them. I love this thread! Melanie
Just as an aside, Anthony Ainley saw one of the Guardians of Gallifrey newsletter covers with an image I did of him (pencil drawing) and he was so impressed, he wrote to me and sent me a little autographed picture of himself. I wrote back to thank him, and he even answered me back! I was lucky enough to meet him, also, and he's a very gracious man. Melanie
VanishingPoint... Advanced 3D Modeling Solutions
BTW, I was actually thinking about making it posable, so you could open the doors, and adding a flat panel inside on which to place a picture of the inside (which would allow for the illusion of an inside, especially if it used a white ambience) But for the life of me I could not for some reason remember if the door opens door-style or accordiion-style.
VanishingPoint... Advanced 3D Modeling Solutions
Seems to me letting larger things into teh TARDIS always led to unrest. I have a colourful imagination, what can I say B^) But if you wanted to be a purist purist, the light would have started out grey -- along with everything else grey -- all the tellys were B&W back then (and so was the BBC) B^P heheh. Just as a note JH, it's actually generally preferred to have an external OBJ file rather than the onject in the PP2. When Poser first loads up one from an external OBJ it creates a geometry RSR, which is a compiled, binary geometry. If the RSR is there after that, it doesn't need to read it in again. In a PP2, however, the CustomGeom is actually an uncompiled OBJ and it has to be read in and translated each time, not just the first. Your prop is so small it really doesn't matter, but if your next item is much bigger you may want to give some serious thought to the seperate-OBJ approach. Personally, whenever I download something with internal geometry I extract the OBJ and seperate it out if I intend to use it more than once. Oh, hey -- as a PS -- youmight want to leave a PNG thumbnail in there for the PPP and P5 folks. It doesn't bother me (I'm on 4.0.3) but I've seen long discussions in the Product Showcase forum about what people wish merchants would do, and the PNG and RSR both thing is on th top of the list.
the inner set opening and closing automatically Hmm, now this part I'm pretty sure on -- the inner doors, once you entered the console room, at least during Tom Baker's stay, were controlled through a thing that looked like an oversized joystick with a big red ball (okay, a big grey ball, but it seemed red to me) on the side near the door. This pushed outwards to open and inwards to close, which was useful as it was often used by people like Turlough charging into the TARDIS with some large nasty evil thing on their heels and pushing the lever in was in accordance with their direction of momentum, so they'd come crashing in, hit the lever and close the door, and then sirt of hang there on the lever like a gimp.
I had intended to post this earlier, but was sidetracked. For future reference purposes ... images of the TARDIS interior. Check out the various generations of the console room and controls:
http://www.crosswinds.net/~tardisrooms/tardisrooms/pictures/index.html And yes, you're right about the door lever, _dodger. :)
Sorry about that. I suppose I've grown accustomed to popups as a way of 'Net life.
For those of us with players, a goodly number of episodes are available on DVD now, especially those from the Tom Baker era. The BBC even has the entire Key to Time saga (all 26 episodes) as a box set, complete with audio commentary tracks, production notes, and photo galleries.
VanishingPoint... Advanced 3D Modeling Solutions
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Attached Link: http://www.cocs.com/poser/goodies.htm#tardis
After a year and a half, it's finally finished! Okay, it didn't really take a year and a half to make... I've had the idea to make this model since at least July 2001 (maybe earlier)! It's always been on my "to do" list, but I was always busy with other projects that I never took the time to just sit down and make it! So, at long last, here it is. Made in Lightwave, built from illustrations and measurements found in the *Doctor Who Technical Manual*, UV Mapped with UVMapper, and then scaled and converted to a Poser prop. This is a free download and you may use it however you wish, but watch out for any copyright issues. The shape is actually the 1950's/ 1960's police box used in the United Kingdom. However, the likeness is now associated with the *Doctor Who* TV show, which owned by the BBC. And I made the Lightwave and Poser model. So who owns the "copyright"- public domian usage, the UK police, the BBC, or me? :) --JohnVanishingPoint... Advanced 3D Modeling Solutions