Forum Coordinators: RedPhantom
Poser - OFFICIAL F.A.Q (Last Updated: 2025 Feb 03 12:46 am)
Jim, the first one doesn't work the way cloth works. You can try this yourself if you have a large squarish dish-drying towel (or similar) at hand. Middle of one side at the forehead, pull back, both ends falling down straight, smooth the forehead... you get deep creases on both sides above the temples. IIRC, the bottom ends are crossed and thrown over the shoulders. This provides enough tension so that it doesn't side off and an end can be pulled up over the nose quickly. In the second one, the cloth should cover the forehead more. The roll (asayib) should be horizontal. You have it the right size. It seems to tie in back, or sometimes joins with metal rings and has pendants. The veil seems to be a separate piece and there is a lot of variety. Some of these examples are masks with barely slits for eyes. I live in a mixed neighborhood (Ashram, Baptist church take all 4 corners nearby, with the Black Muslim church a couple doors down from them)... and I see all sorts of headgear. No mennonites here... but just about everybody else, I think. Everybody has a different way of tying the turbans or flipping the headscarves so that they are identifiable to each other. Anyway, I just paged through my book on Arabian costume. It is mostly traditional, identifying the tribal wear, rather than modern. A websearch on contemporary women would perhaps be more fruitful. Best if our querant posted a couple of photos or links, considering all the variety in this book! Carolly
Message edited on: 10/25/2004 22:23
Top of head is fine. :) Under the chin should show a crossing of fabric as momodot has in post #18... and maybe a bit wider on top of shoulders but that can be so variable (at home or in hot weather it is probably looser, if windy or dusty it is probably snugger... and some wearers are perhaps more compulsive than others about the arrangement).
OK. I've got the wider shoulder morphs (left and right), a face forward morph to bring it out so it's further forward on the face. Working on a lower brow morph and maybe a crossed fabric morph. The crossed fabric one won't be easy, but I'll try. I'll also ask Dodger to look at that one. He has some tools I don't have.
I promise this isn't a ploy to get this for free...and don't expect anything. I'm just curious what modelling program you're using to fashion this headpiece so quickly? I'm particularly interested in the fold details, especially the ones you've created starting at the top of the head, working down the sides. I've recently purchased Amapi 7 Designer, and although I enjoy it's ease of use, I've had heaps of trouble trying to create the basis for hair. Thanks for your time!
I'm using Amapi 7, regular version. Then the P5 cloth room, then back to Amapi, then a few magnets... It's fun. The base is to start very low poly. I start with 4 splines, upper and lower ones contour to the general shape, and two VERY jagged, lightning bolt style. I then use the Goridon Surface to make a shape. You get a VERY stylized object. I combine it with other shapes I've built this way and weld them, making sure there's no holes. Then I smooth the whole thing (that's why you start with a very low poly mesh). When it smooths, you get a nice draping potential. Then, if the drape doesn't look quite natural, I'll pull it into the P5 cloth room and drape it over a figure in zero pose for a couple of frames. Export it back out, and back to Amapi for a BumpSoften and a little more fitting. If you need any more help with Amapi, IM me.
Jim, been following the thread (with nothing to contribute as I plead ignorance of the garment), and must say -- you did a great job.
let me know when it hits the store :) and if not the store, and ya need a host -- I can do that. :)
Message edited on: 10/27/2004 05:20
thou and I, my friend, can, in the most flunkey world, make, each of us, one non-flunkey, one hero, if we like: that will be two heroes to begin with. (Carlyle)
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