Forum Coordinators: RedPhantom
Poser - OFFICIAL F.A.Q (Last Updated: 2024 Nov 11 2:16 pm)
You may be missing a brilliant or bright yellow, if anything...
the colour of this helmet:
Perhaps a slightly lighter, more intense, "artificial banana" yellow, I think, than the Flame Yellow you've got in there already??
Maybe not...
In both Super Gloss and Candy Satin Flame, I'd say I can, personally, distinguish between the inner and outer colours... but not so much the two outer colours... although I can still distinguish them.
I can see the difference between the three as well.
Of course, part of the problem here is the same problem that comes up with the Adelson Checker Shadow Illusion: how a human interprets colours or shades depends a great deal on what it surrounding the object you are looking at. I would wager great sums that were you to separate the three objects with something of very different colours, so that they'd be yellowish objects surrounded by something very different, most people wouldn't be able to detect any difference between them at all.
Quote - I wondered if there should be an off-white category. Notice how many off-whites are represented in the orange (O) group. These subtle variations just seemed necessary to me.
There is a very strong representation of red-orange-yellow, because it seemed to me that you need more tiny variations here than in the blue-magenta area.
At least you aren't dealing with real paint. We built a house recently, and we had it painted what we thought was a warm beige color. We didn't pay attention to the numbering on the paint sample (which indicated that it was in the orange family.) Under some lighting conditions (natural afternoon light) it is definitely orange.
wondering how the glass of milk is looking after the new IC?
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While researching the subject, I ran across this statement:
"it is fairly easy to define a convincing woodgrain texture procedurally."
Along with the image above.
Apparently, I do not understand the meaning of the word "convincing".
Renderosity forum reply notifications are wonky. If I read a follow-up in a thread, but I don't myself reply, then notifications no longer happen AT ALL on that thread. So if I seem to be ignoring a question, that's why. (Updated September 23, 2019)
I'm closer than ever before, but still not convincing, IMO. But I'm making progress.
Renderosity forum reply notifications are wonky. If I read a follow-up in a thread, but I don't myself reply, then notifications no longer happen AT ALL on that thread. So if I seem to be ignoring a question, that's why. (Updated September 23, 2019)
That's pretty damn good!
The color or tone of the knots looks a little to different from the colors / tones elsewhere in the wood... I think. Which... I think... is what is jarring a little bit for me. But the placement of the knots is perfectly convincing I think.
Can you place subtle, inset rings within the knots... somehow?
The rest of the texture is fantastic, I reckon... and the knots are not too far off.
Quote - BB, it's a shame you're not in the UK: there's a Stephen Fry program on Radio 4 tomorrow morning about the language of colour.
Maybe you can get it on iPlayer?
I missed this. for reference in the future - all BBC Radio stations are on Iplayer / their own sites Play Again and open to the whole world. only TV channels are geolocked to the UK only.
Yup, I can also distinguish the three shades.
The wooden teapot is really convincing. You're going to have your work cut out to beat that, BB.
Coppula eam se non posit acceptera jocularum.
I think the teapot creator is using the same definition of the word "convincing" that politicians use when talking about their platforms. I'm sure if the creator called the teapot "realistic" it would be in the same spirit as a "realistic" budget or a "realistic assessment of our international goals" etc, etc.
PoserPro 2014, PS CS5.5 Ext, Nikon D300. Win 8, i7-4770 @ 3.4 GHz, AMD Radeon 8570, 12 GB RAM.
Renderosity forum reply notifications are wonky. If I read a follow-up in a thread, but I don't myself reply, then notifications no longer happen AT ALL on that thread. So if I seem to be ignoring a question, that's why. (Updated September 23, 2019)
On the knots... Look for how wood is sawn. A knot is the base of a limb (or the dormant bud of one), with a conical cross-section, therefore they have a specific relationship to the grain pattern. Which means they will show differently in wood that is flat sawn versus quarter-sawn. But as a quick-and-dirty, a wider spacing between the grains means that part of the board is closer to flat to the normal of the tree, thus knots will be circular; a tighter spacing means you are moving towards perpendicular, and encountering the knots longitudinally instead of in smallest cross-section.
Anyhow...starting point for research there....
Quote - > Quote - How I would have done it...
From red at the top, in a clockwise fashion around the inner ring:
Red, Orange, Yellow-Orange, Yellow, Chartreuse, Yellow-green, Green, Grass, Turquoise, Teal, Sky, Light Blue, Blue, Purple, Violet, Violet-Pink, Magenta, Red-Violet.
Just to throw in what my perceptions and opinions are...all 2 cents that they're worth, heh.
I used Cyan, instead of Teal, and fewer categories than I show in this wheel, but I largely agree with a lot of these names.
I find the two-name names less useful. I prefer Celadon over Yellow-green, for example. Thus, my question about raspberry.
Actually, and altough it doesn't appear to be, Cyan (as used in printers) is pure blue,
also called primary blue in subtractive synthesis (? not sure of the translation).
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I guess if you come up with any color additions / improvements down the line you could always issue product updates?
I think product updates - and certainly if they're in fact an enhancement, as opposed to just fixing some niggle - are a nice bonus...