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DAZ|Studio F.A.Q (Last Updated: 2024 Nov 10 1:59 pm)
Quote - I rendered a scene with the Victoria 5 Elite Pony Tail and whoah, do I have a problem. It looks like pieces of plastic stuck on her head. It's horrible. The promos show a pretty shiny soft hairdo. The hair in my render looks like you could chip bricks with it. Does anyone know what might be the problem? Oh, I did work on this in PS to try to make it look more normal... still doesn't though.
Was she using DoctorJellybean's 'Special Hair Treatment'?
What settings did you use on the hair prop?
Just as a general starting point, try setting the skullcap to glossy, around 7000 +/- 500, then the remainder of the 'strand' pieces to glossy and check the translucent box.
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Quote - As said, I have this from a very reliable source.. wink
Callad and Doc, sittin' in a tree, k-i-s-s-i-n-g...
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Quote - Was she using DoctorJellybean's 'Special Hair Treatment'?
You might be pleased to know that I have removed you from my Christmas Card list :biggrin:
Quote - > Quote - As said, I have this from a very reliable source.. wink
Callad and Doc, sittin' in a tree, k-i-s-s-i-n-g...
Only in my dreams, only in my dreams ......
Quote - John,
Here is the image with the lamp you let use. I think it turned out very nice. Thought I would share!
If I remember correctly the chair is from FSMCDesigns.
Thanks again!
VERY nice! I like the pose and the lighting, LOVE the wallpaper texture. Is the skin texture from Imaginary House?
great job on the lamp john!
Regards, Michael
Quote - > Quote - Was she using DoctorJellybean's 'Special Hair Treatment'?
You might be pleased to know that I have removed you from my Christmas Card list :biggrin:
LMAO!
Regards, Michael
Quote - > Quote - Wedding Anniversary
Dinner, drinks, chocolate, roses, jewelry ... what more can a woman ask for as a wedding anniversary celebration and gifts. Maybe she has his present at home, who knows.
Oh Doc I reallly like this! She might have asked for a dress. *winks
LOL, my ex wife did this exact thing on our third date, long coat with undies underneath.
Great scene doc, although I would be a bit worried, seems late since there is noone else around, could be dangerous.
Regards, Michael
This was just a quick setup test for a friend to show how fast and easy it was to set up a Reality scene for luxrender. 18 minutes from opening DS4pro to hitting render, 7 hours to render. Hopefully he'll be getting Reality now, LOL.
Regards, Michael
Quote - This was just a quick setup test for a friend to show how fast and easy it was to set up a Reality scene for luxrender. 18 minutes from opening DS4pro to hitting render, 7 hours to render. Hopefully he'll be getting Reality now, LOL.
That's a helluva great render for a promo Mike! Rack up another sale for Paolo
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Quote - > Quote - John,
Here is the image with the lamp you let use. I think it turned out very nice. Thought I would share!
If I remember correctly the chair is from FSMCDesigns.
Thanks again!
VERY nice! I like the pose and the lighting, LOVE the wallpaper texture. Is the skin texture from Imaginary House?
great job on the lamp john!
The skin texture is Columbia by vyktohria at RMP
The wall texture is something I picked up from fabricator at Daz
Attached Link: The Last Moment
My first reality render (actually my first render for quite some time)
http://www.renderosity.com/mod/gallery/index.php?image_id=2352076
Quote - Congrats Bob! You do have a render-factory! :)
LOL thanks! Like my tag used say on the old DS forum sig Rendering Maniac! Which is why I always melt the heat syncs in my notebook PCS good thing I buy the additional coverage! I am back into playing drums more two but thanks to the LUX queue render chain I can practice and render at the same time!!!!
Attached Link: Doll Madonna
Due tu using the luxrender I dont think I will get those numbers but thats ok anyhoo I like the way lux deals with materials..Quote - This was just a quick setup test for a friend to show how fast and easy it was to set up a Reality scene for luxrender. 18 minutes from opening DS4pro to hitting render, 7 hours to render. Hopefully he'll be getting Reality now, LOL.
It takes me 18 minutes at least to decide what I want to render, nevermind create the scene itself :scared:
Quote - > Quote - This was just a quick setup test for a friend to show how fast and easy it was to set up a Reality scene for luxrender. 18 minutes from opening DS4pro to hitting render, 7 hours to render. Hopefully he'll be getting Reality now, LOL.
It takes me 18 minutes at least to decide what I want to render, nevermind create the scene itself :scared:
Y'all are doing better than me! Sometimes it takes me days to decide if I even want to render
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Content Advisory! This message contains nudity
Great chair!
Sure, a few more vertices for the seat would have given a nicer looking deformation, but as you can see from my small but ever growing collection, I've been having my share of fun with that particular piece of furniture : )
Thanks for sharing it Michael!
Cheers!
Attached Link: Playing with dolls
Xandi I also have challenges with hair sometimes anyhoo the maniac keeps going..
This one is paying for my new monster Dre mixr headphones...
Quote - Anyone interested in a contest?
I'm putting the finishing touches on a new character (skin texture+morph) and for the life of me, I can't think of a proper name. (His working title his 'Edgar' for the time being).
Not much is known of his background story, except that is he is a villanous bastard of a man, augmented with 13 cerebral core modules, and may be teetering farther on the machine side of mankind than the man side.
Anyhow, I thought it might be fun to see what y'all think up. Winning name gets the distinct pleasure of a copy of the completed set, and all incurred bragging rights.
At the present, this is exclusive to the Reality thread, so ya best put in a smart, quick answer!
(Large view on DA: http://fav.me/d58kwdx )
Well, two names popped out at me after seeing and reading the description...
Smart, bald and a villian? Lex
Villianous bastard dressed in period looking clothing? Moriarity..or Morry for short.
Quote - Lux won't do this (two media) in one go
I'm interested in what this means. Can you elaborate?
Thanks.
Paolo
https://www.preta3d.com
FB: https://www.facebook.com/RealityPlugIn
Tw: @preta3d
G+:
https://plus.google.com/106625816153304163119
The
Reality Gallery: https://reality-plug-in.deviantart.com
Quote - > Quote - Lux won't do this (two media) in one go
I'm interested in what this means. Can you elaborate?
Thanks.
Hi Paolo,
I tried to do a render with the camera/view partly 'submerged', so I positioned the camera accordingly, looking a tiny bit up.
That setup surprisingly gave me a render 100% above the water surface.
I thought "maybe it's the procedural ripples, and the camera happens to be in a low area by accident".
So, for the next render I lowered the camera a bit, just enough to be sure a part of it would always be below the surface, and I got a render 100% submerged. Again, not what I wanted.
Then I tilted the camera up a tiny bit, without moving it, and I to my amazement got a render 100% above water again!
This led me to my conclusion Lux can only 'look' through one frame filling medium at a time. Not strange when you think about it, but a pity non the less (if indeed true).
I ended up compositing both versions in Photoshop, but I flipped the underwater scene up side down, and used the warped reflection on the surface for the submerged part, because the true view was too clear and not 'underwatery' enough to my taste.
Dirty tricks all over this time, sorry, can't help it ; )
Cheers!
Thank you for the explanation. I will look into it.
Cheers
Paolo
https://www.preta3d.com
FB: https://www.facebook.com/RealityPlugIn
Tw: @preta3d
G+:
https://plus.google.com/106625816153304163119
The
Reality Gallery: https://reality-plug-in.deviantart.com
Quote - > Quote - > Quote - Lux won't do this (two media) in one go
I'm interested in what this means. Can you elaborate?
Thanks.
Hi Paolo,
I tried to do a render with the camera/view partly 'submerged', so I positioned the camera accordingly, looking a tiny bit up.
That setup surprisingly gave me a render 100% above the water surface.
I thought "maybe it's the procedural ripples, and the camera happens to be in a low area by accident".
So, for the next render I lowered the camera a bit, just enough to be sure a part of it would always be below the surface, and I got a render 100% submerged. Again, not what I wanted.
Then I tilted the camera up a tiny bit, without moving it, and I to my amazement got a render 100% above water again!
This led me to my conclusion Lux can only 'look' through one frame filling medium at a time. Not strange when you think about it, but a pity non the less (if indeed true).
I ended up compositing both versions in Photoshop, but I flipped the underwater scene up side down, and used the warped reflection on the surface for the submerged part, because the true view was too clear and not 'underwatery' enough to my taste.
Dirty tricks all over this time, sorry, can't help it ; )
Cheers!
This isn't all that surprising really. Your typical over/under water shot has something that lux does not: an actual lens for the water to touch. I think if you can line up your water with a surface for geomety to touch, that will help define that 'magic' line.
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Quote -
Well, two names popped out at me after seeing and reading the description...
Smart, bald and a villian? Lex
Villianous bastard dressed in period looking clothing? Moriarity..or Morry for short.
I like your thinking, but perhaps names that haven't been used as other characters :-)
Edit: New promo image in the works. I made some drastic changes to the original character design and associated maps. Note, that glow is not from a mesh light or conversion to one
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Quote - > Quote - > Quote - > Quote - Lux won't do this (two media) in one go
I'm interested in what this means. Can you elaborate?
Thanks.
Hi Paolo,
I tried to do a render with the camera/view partly 'submerged', so I positioned the camera accordingly, looking a tiny bit up.
That setup surprisingly gave me a render 100% above the water surface.
I thought "maybe it's the procedural ripples, and the camera happens to be in a low area by accident".
So, for the next render I lowered the camera a bit, just enough to be sure a part of it would always be below the surface, and I got a render 100% submerged. Again, not what I wanted.
Then I tilted the camera up a tiny bit, without moving it, and I to my amazement got a render 100% above water again!
This led me to my conclusion Lux can only 'look' through one frame filling medium at a time. Not strange when you think about it, but a pity non the less (if indeed true).
I ended up compositing both versions in Photoshop, but I flipped the underwater scene up side down, and used the warped reflection on the surface for the submerged part, because the true view was too clear and not 'underwatery' enough to my taste.
Dirty tricks all over this time, sorry, can't help it ; )
Cheers!
This isn't all that surprising really. Your typical over/under water shot has something that lux does not: an actual lens for the water to touch. I think if you can line up your water with a surface for geomety to touch, that will help define that 'magic' line.
Dirty little secret: Lux's perspective camera does not have any physical volume. It's like a weird singularity-pinhole-camera. :P It exists only at the camera object's center point.
Modeling a surface for the lens is actually a really good idea I never though of. A small box of architectural glass ought to do the job nicely.
Quote - Dirty little secret: Lux's perspective camera does not have any physical volume. It's like a weird singularity-pinhole-camera. :P It exists only at the camera object's center point.
Modeling a surface for the lens is actually a really good idea I never though of. A small box of architectural glass ought to do the job nicely.
But wouldn't that give unwanted reflections of the scene behind the camera on the glass in front of the 'camera'?
Maybe a cilinder primitive with a solid plane on one end, and glass on the other would be safer. I'll try and see if I can parent one to a camera, to make it pan and tilt with it.
Cheers!
Does anybody know where I can find a safety helmet (.obj) ?
I have seen images with characters wearing them, but I haven't been able to find a single one. I need the european plastic type. I've tried every name I could think of: hard hat, construction helmet, whatever, came up with nothing : (
I need it for a safety instruction demo like the picture below, DAZ seems ideal for that.
Thanks in advance,
Cheers!
Quote - Does anybody know where I can find a safety helmet (.obj) ?
I have seen images with characters wearing them, but I haven't been able to find a single one. I need the european plastic type. I've tried every name I could think of: hard hat, construction helmet, whatever, came up with nothing : (
I need it for a safety instruction demo like the picture below, DAZ seems ideal for that.
Thanks in advance,
Cheers!
Couple of quick searches:
http://www.sharecg.com/v/25000/ (free, looks like v4, no textures, but you can fix that with coloring in Reality no problem - lists many material zones)
http://www.daz3d.com/shop/m4-headwear/ For m4 $14.95 at Daz, and there is a yellow hard hat as one of many hats.
Not sure if they are the right style, but much closer than your ball caps. :)
Quote - Couple of quick searches:
http://www.sharecg.com/v/25000/ (free, looks like v4, no textures, but you can fix that with coloring in Reality no problem - lists many material zones)
http://www.daz3d.com/shop/m4-headwear/ For m4 $14.95 at Daz, and there is a yellow hard hat as one of many hats.
Not sure if they are the right style, but much closer than your ball caps. :)
Wow, that was quick, thanks!
I opened an account at ShareCG, and had a closer look, but it wasn't what I hoped it would be. But then I found a better looking one in this set:
http://www.sharecg.com/v/42504/
Glad you pointed me to ShareCG, looks like a very useful resource!
Thanks again,
Cheers!
Quote - > Quote - Dirty little secret: Lux's perspective camera does not have any physical volume. It's like a weird singularity-pinhole-camera. :P It exists only at the camera object's center point.
Modeling a surface for the lens is actually a really good idea I never though of. A small box of architectural glass ought to do the job nicely.
But wouldn't that give unwanted reflections of the scene behind the camera on the glass in front of the 'camera'?
Maybe a cilinder primitive with a solid plane on one end, and glass on the other would be safer. I'll try and see if I can parent one to a camera, to make it pan and tilt with it.
Cheers!
Not if the reflection color is black. ;)
Quote - > Quote - Couple of quick searches:
http://www.sharecg.com/v/25000/ (free, looks like v4, no textures, but you can fix that with coloring in Reality no problem - lists many material zones)
http://www.daz3d.com/shop/m4-headwear/ For m4 $14.95 at Daz, and there is a yellow hard hat as one of many hats.
Not sure if they are the right style, but much closer than your ball caps. :)
Wow, that was quick, thanks!
I opened an account at ShareCG, and had a closer look, but it wasn't what I hoped it would be. But then I found a better looking one in this set:
http://www.sharecg.com/v/42504/
Glad you pointed me to ShareCG, looks like a very useful resource!
Thanks again,
Cheers!
I used to have a cot set up in the back of ShareCG
I've since relocated my cot to free3dmodels. Lots of useful freebies there, too.
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Quote - > Quote - > Quote - Dirty little secret: Lux's perspective camera does not have any physical volume. It's like a weird singularity-pinhole-camera. :P It exists only at the camera object's center point.
Modeling a surface for the lens is actually a really good idea I never though of. A small box of architectural glass ought to do the job nicely.
But wouldn't that give unwanted reflections of the scene behind the camera on the glass in front of the 'camera'?
Maybe a cilinder primitive with a solid plane on one end, and glass on the other would be safer. I'll try and see if I can parent one to a camera, to make it pan and tilt with it.
Cheers!
Not if the reflection color is black. ;)
If you're experimenting, I'd go with the cylinder too, or even just the plain square primitive plane with a little y depth added to it. And as you suggested, arrange in front of the camera's 'lens' area and parent to the camera. I'd be rather curious how that all works out when you get a render punched out.
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Quote - Update on my earlier posted image. Updated the pose, added the soap suds and water droplets and changed the lighting a bit.
That little guy is so cute! Awesome image.
Abi.
WARNING: This user is officially A TEASE!
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Attached Link: Hand held 1
The soap looks a bit uunatural but I still like your overall image... another...This site uses cookies to deliver the best experience. Our own cookies make user accounts and other features possible. Third-party cookies are used to display relevant ads and to analyze how Renderosity is used. By using our site, you acknowledge that you have read and understood our Terms of Service, including our Cookie Policy and our Privacy Policy.
I rendered a scene with the Victoria 5 Elite Pony Tail and whoah, do I have a problem. It looks like pieces of plastic stuck on her head. It's horrible. The promos show a pretty shiny soft hairdo. The hair in my render looks like you could chip bricks with it. Does anyone know what might be the problem? Oh, I did work on this in PS to try to make it look more normal... still doesn't though.